See linked posting. I’ve commented there with a link to a CLI tool in Python that allows downloading of IA collections. I’ve submitted a patch to enable specifying start and end points so that it’s easier to resume downloading a huge collection, or to allow multiple people to split up the work.
https://archive.org/details/georgeblood
https://archive.org/details/78rpm_bowling_green
F*ck the RIAA and absurdly long copyright.
EDIT: There is more than one collection of 78s on IA, so I updated the title.
The issue with these collections are that they’re absolutely HUGE. And yes, IA offers torrents for them, but as a separate torrent for every. single. album. And the torrents have all data in them – FLAC, fixed-rate MP3, VBR MP3, PDF liner notes, etc. etc… there may be some extremely hardcore data-hoarders out there who want everything, but IMHO as these are scratchy old 78 records, FLAC is overkill to just save the audio in a listenable format. The George Blood collection, just the VBR MP3s, is looking to be about 6TB. With ALL data it might be over 40TB! I can’t afford that many hard drives :)
So, my approach at the moment is to save just the VBR MP3s (they seem to be done at up to 320kbps VBR) and the JPEG album cover. If I have a chance and any storage left afterwards, I can make a separate pass to get the album liner PDFs…
Tool used: https://github.com/jjjake/internetarchive
Patch to allow setting start and end item indices for downloads: https://github.com/jjjake/internetarchive/pull/605
Example usage to grab just the VBR MP3 and record label JPG for each (note the --start-idx and --end-idx arguments):
#ia download --start-idx=4001 --end-idx=8000 -a -i --format="VBR MP3" --format="JPEG" --search collection:georgeblood
I’m going to concentrate on the George Blood collection for now… I’m starting at item 1. It would be great if others started at index 50,000, 100,000, 150,000, … and others started at the end and worked backwards in similarly-sized chunks, so that it’s assured someone gets each of them.
As concrete examples, try to get a copy of Disney’s 1946 movie, “Song of the South.” It’s been removed from circulation because of its whitewashed presentation of “happy slaves.” Similarly, 6 of Dr. Seuss’ books, including “And to Think That I Saw It on Mulberry Street” were withdrawn because of racial imagery (the mentioned book had a “Chinaman” drawn with a WWII stereotype style - rice hat, sloping eyes, buck teeth).
There’s media you simply can’t get anymore.
Our culture has been copyrighted.
In this case, the media was withdrawn for (arguably) good reasons: the representations were deemed hurtful or harmful.
Good reasons or bad, they still stand as stark examples of how media can disappear at the whims of a single organization.
Yes and it’s horrific
Fun fact, there is a fan made blu-ray quality remaster of Song of the South available on IA.
Say what? Now I’m curious how they handled the slavery topic, and found actors for it.
Thanks for the heads-up!
Song of the South does whitewash being black in the USA, but it is set in post-civil war America, so superficially it does not need to handle the slavery topic, which can be dismissed as having been dealt with already.