You want mpd to server and play the music, connected with a web front end (there are a few to choose from) accessible on the private store wifi. You should probably serve this frontend only to a certain machine on the network (like the managers computer in the back) and lock everything else out. The last time I ripped CDs on Linux I used whipper, which I believe was the successor to morituri. This is all only legal if the CDs they have already included the licensing fees to play them publicly or are themselves freely licensed. There are sources of freely licensed music out there that you can play publicly without paying.

The article is saying that these sharks aren’t really sharking though. The sharks behavior has been changed by environmental factors (regular human feeding and humans raising the local sea temperature by dumping warm water from the desalination plant).

1. Sharks are attracted by usually warm water from desalination plant.
2. Tourist guide boats start chumming the waters to keep the sharks around for tourists.
3. The attraction of so many mostly harmless sharks changes their feeding dynamic. Ever tried eating an ice cream cone near a small child? Ever tried pushing an ice cream cart through a crowd of small kids? Way different dynamic as supply and demand changes as the crowd grows.
4. Formerly mostly harmless and “shy around humans” sharks start directly approaching humans as a source of food.
5. Sharks investigate human, beg for food. How do sharks investigate? By biting, nibbles really, or bumping into people swimming.
6. The first bite generates a predictably violent reaction from the humans, which triggers a feeding frenzy response. Humans aren’t equipped to defend or escape this.

The point is that at every step of the way, these sharks are acting in a very strange way (for them) as a direct result of human action. We’ve seen this kind of thing before when people feed wild animals, strange and dangerous human seeking behaviors develop: alligators, bears, moose, etc. Dangerous animals? Yes, but the behaviors that result in human deaths are in no way natural.

First, 400 pounds is a pretty beefy fridge, most basic units are a lot lighter. 400 pounds is coincidentally the top end of the average weight search AI gave me too, the lower end being 200 pounds. I’ve moved a few fridges over the decades, they’d have been hard pressed to get a 400 pounder wedged in there like that.

Second, a fridge is mostly empty space. The weight is certainly not distributed throughout. If they put the heavy end (usually where the compressor is) hanging out the back, they probably wouldn’t have made it very far anyway before the thing ejected itself. They are primarily difficult to move because they are bulky and lack safe handholds for lifting.

Third, police modifications adding weight would necessarily require modifications improving the suspension. It would be pretty bad design if putting three 200+ adults in the rear of a police wagon were enough to make the vehicle unsafe.

This is all a pretty dumb thing to argue about. After all, I agree that the cop in this case was an idiot. That’s mostly because storing a fridge on its side is a dumb move, but also because I do actually believe that storing it as we see in the photo would be bad for the car too. Fridges have lots of sharp edges, plenty of opportunity to destroy the interior, shatter a window, or cause an accident. I just don’t think weight or its distribution is the problem.

They should hide somewhere in the game itself the real credits of the people that spent significant effort to make the game. An Easter Egg if you will. Like just after defeating the dragon, you find a scroll in their horde with the real credits.

Sounds like something a sea lion would say.

Is this wit or a genuine request that one of us explainsthejoke.com?

Can this keep num lock engaged? I swear my biggest frustration with windows lately is it’s habit of randomly and arbitrarily turning off numlock after I’ve turned it on. I never turn off numlock while working. I never use the number pad arrows. I prefer the number pad numbers and use them practically all day. And yet, several times a day I find my cursor moving around the screen instead of typing a number because windows decided that it got to control the numlock function instead of me and the dedicated light up key designed for that function that has worked fine for me for decades before.

Either way, you can put passengers in the back of an SUV, but not in the bed of a truck (without breaking laws or being totally unsafe).

There is a reason that I have fallen asleep during the extended 3rd act fight scene in every single god damn marvel movie since Mark Ruffalo became the Hulk.

They all turn into the same movie, with the same fight. And these super long fights all seem to be surprisingly light on showing any of the actual real world impacts of such violence. Nobody ever gets seriously hurt unless the plot needs more sacrifice. But even when they do, the injuries mostly happen off camera and the blood never flows or spurts, it just instantly appears as makeup. It’s really giving people a deep rooted and totally unfounded sense that violence both solves every problem (it doesn’t) and does so bloodlessly (it doesn’t). At least Batman knows he’s not a hero.

But really, the DC universe isn’t much better. Think about how shocking a little bit of blood at the beginning of the new Superman movie was, before they basically destroy metropolis (which was rather expected and mundane). And then they only show the tiny fraction of people personally saved by Superman, not the countless mangled corpses buried under rubble. This may be why the public has trouble confronting the realities of war and violence.

Don’t sleep on that toothache if it is due to an infection. Tooth infections can kind of fast track to the sinuses and then the brain and go real bad real quick. Also there’s the pain. I don’t know how you can survive with that pain AND a tiny human. Probably best not to die on them because of a dumb thing like a toothache.

I guess they couldn’t get it suspended long enough to get a measurement from the crane itself?

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

Have you never actually seen a crosswalk before? Because I’m having trouble figuring out which part of these rainbow flag colored crosswalks makes them look any less like a crosswalk or makes them less visible or recognizable in any way. Literally the only other pavement marking that comes anywhere near looking like or being placed in the same way on a road is a stop bar. And guess what, car drivers routinely mistake the plain crosswalks for stop bars, thereby blocking the crosswalk. Making the claim that painting a pedestrian crosswalk in bright colors somehow makes them less visible or recognizable has got to be the dumbest argument I’ve heard this week.

I’m in awe of a stomach so delicate it can be turned by an animated stick figure physics diagram.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.