This should be illegal, companies should be forced to open-source games (or at least provide the code to people who bought it) if they decide to discontinue it, so people can preserve it on their own.
This should be illegal, companies should be forced to open-source games (or at least provide the code to people who bought it) if they decide to discontinue it, so people can preserve it on their own.
Literally every seeder is part of that archive. You can look at individual trackers in the microcosm as individual archives and indices, but it’s the culture of piracy that causes the wide scale collection and preservation of media.
We’re actually at this kind of interesting cross-generational point of guerilla archival where it’s become easier to find certain obscure pieces of media history. I suspect this is in large part due to things like bounties, where suddenly a forgotten VHS of a 35 year old HBO special that aired once or twice could be a step toward a higher rank and greater access to a wider range of media.
Modern piracy has a strong incentive toward finding lost material that’s no longer readily available. Zero day content is great, but have you seen the RADAR pilot or both seasons of AfterMASH?
They belong in a museum. Indie would be proud, even if Harrison wouldn’t. Not that I know his perspective on piracy.
Constantly moving compressed files are not the same as a physical media archive, literally the entire point of this discussion.
Are you here to repeat that nonsense about file transfer being lossy?
Are you here to repeat that nonsense that parity loss doesn’t exist in your world?
Th s is hila ious. Wait, w t’ ap e i g? c n’t ead y r p st!